{"id":456,"date":"2022-04-18T15:38:55","date_gmt":"2022-04-18T15:38:55","guid":{"rendered":"https:\/\/georgenowik.com\/?p=456"},"modified":"2022-04-18T15:38:55","modified_gmt":"2022-04-18T15:38:55","slug":"the-equalizer-part-2","status":"publish","type":"post","link":"https:\/\/georgenowik.com\/index.php\/2022\/04\/18\/the-equalizer-part-2\/","title":{"rendered":"The Equalizer &#8211; Part 2"},"content":{"rendered":"<h2>&#8211; Or: Frequency manipulation CAN BE FUN with more tools<\/h2>\n<p>Ahh yes, back to the equalizer.\u00a0 Effective, and my job to make it effable.\u00a0 Aye, he&#8217;s (she&#8217;s) a tricky one, eh?\u00a0 Getting a handle on how equalizers work is an endeavor that will leave you laughing or crying, one or the other with not much middle ground. Another topic might be more fun for a boy or a girl and it&#8217;s not for the faint of heart.<\/p>\n<p>HOWEVER!<\/p>\n<p>Once you&#8217;re over that initial hump?\u00a0 Playing with an equalizer is another way to fill your heart with joy.\u00a0 Placing that first EQ high up in your effects rack raises the stakes in making music reach the minds and hearts of listeners all over the world.\u00a0 The ache of inexperience of the average engineer is something he&#8217;s (or she&#8217;s) going to eventually let go of.\u00a0 Pretty soon they&#8217;ll be telling you how much they loved learning all about these wonky things.<\/p>\n<p>In case you need a few more examples &#8211; or seven &#8211; and you feel like equalizers are still like foreign languages, hopefully this blog is a diamond in the rough and your life as a budding audio engineer (read: lover of tweaking knobs) is about to sprout and blossom.\u00a0 Boy howdy. We are going to move on in the direction of more complicated concepts to fill the space your keto-compatible fatty computer made of meat with minimum waste and maximum know-power. Maybe even a little bit of joy along the way.<\/p>\n<p>Let&#8217;s dim the city lights and get down to business!<\/p>\n<h2>The Equalizer Band Pass Filter<\/h2>\n<p>Band nights are not as fun when you filter out all their passes and require them to pay for their own tickets.\u00a0 They typically can&#8217;t even afford a ride on the streetcar. But that&#8217;s another story. The band pass filter!\u00a0 If you have a desire for hearing only a range of <em>some<\/em> higher frequencies without the heights of the air range and you&#8217;ve said &#8220;No&#8221; to the bass range, band pass is the place for you.<\/p>\n<p>To be implementing this concept, you&#8217;ll be starting to ramp up at a specific frequency and then ending at another one, cutting not one side but both.\u00a0 It looks an awful lot like two filters in one: high pass somewhere to the left, and low pass somewhere to the right.\u00a0 Once you start messing with this concept, there&#8217;s no need to ask for much more. Except maybe for a side of bacon. Nueske&#8217;s preferably.\u00a0 Because <em>dang<\/em>.<\/p>\n<p>You <em>could<\/em> just get some other engineer to do it for you; she&#8217;s (or he&#8217;s) probably delighted to do so.\u00a0 But if your goal is to be all smooth and suave in the studio, you&#8217;re going to have to learn to be the operator of these fancy things.<\/p>\n<p>Boring trivia note: we&#8217;ll get later into how the coast to coast differences between LA and New York impact some of the creative uses of compressors (don&#8217;t even mention Chicago. midwest ain&#8217;t got nuthin on the ocean shores) but equalizer usage is pretty western \/ eastern agnostic.\u00a0 Male and female alike.<\/p>\n<p>Please align your vision to this north star of a video linked below for an example and reference.<\/p>\n<div class=\"video-shortcode\"><iframe title=\"Equalizer Example 06 - Band Pass Filter\" width=\"1652\" height=\"929\" src=\"https:\/\/www.youtube.com\/embed\/MI6KWok1gIM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<h2>The Equalizer Notch Filter<\/h2>\n<p>Notch filters are great.\u00a0 They look like a giant dip to the south pole (or Australia?) where frequencies just drop off and cease to exist.\u00a0 As an aside, if they could make a filter that sends me to Key Largo?\u00a0 That would be grand and I am <em>here<\/em> for that.<\/p>\n<p>I personally love the notch filter in an equalizer for the single purpose of how it&#8217;s the <em>opposite <\/em>of the Band Pass Filter from above: High pass to the right, Low Pass to the left. Frequency in the middle for sale: sold. Like two pass filters face to face, each jockeying for supremacy.\u00a0 A classic case of the black hole of frequency cutting.\u00a0 We find the dip in the shadow of two passes.\u00a0 Sorry, I&#8217;m waxing all poetic in this box of text. Pardon my silliness and wonkification.<\/p>\n<p>Double up those pass filters and you get a valley where they don&#8217;t cross and just eliminate completely.\u00a0 Yet why would we need this?\u00a0 Electrical hum can be a problem in some cases, and in others the problem isn&#8217;t easily found and we chase after it sweeping back and forth like we have a license to fly that thing.\u00a0 Gotta love it, eh?<\/p>\n<p><em>(it&#8217;s a good thing we don&#8217;t need insurance to do these things.\u00a0 nobody would let me ever hold that card!)<\/em><\/p>\n<p>If solving an electrical hum challenge isn&#8217;t possible, this notch melts all your cares away, with only bad memories of a refrigerator interfering with your recording process and mixing practice.<\/p>\n<p>In what is absolutely NOT a change of pace, I present to you a video to dive into.\u00a0 There might be some gold contained within.<\/p>\n<p><em>(be gentle with the author: his eyes are still kinda glazed over like a cheap doughnut after staring at the screen recording videos all evening.)<\/em><\/p>\n<div class=\"video-shortcode\"><iframe title=\"EQ Example 07 - Notch Filter\" width=\"1652\" height=\"929\" src=\"https:\/\/www.youtube.com\/embed\/ngNxRCLrk7E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<h2>The Equalizer Bell Shape<\/h2>\n<p>Oh look!\u00a0 Little town, it&#8217;s a quiet village.\u00a0 Wait. No.\u00a0 Reset.<\/p>\n<p>The bell shape of equalization.\u00a0 Unfortunately, no angels will descend from the heavens just for using one of these things, but the artist listening to your work might <em>think you are one <\/em>and her (or his) opinion is the only one that counts.<\/p>\n<p>But seriously, this is one of the more common equalizer shapes at the heart of boosting and cutting frequencies. This is the bread and butter of the cold hard equalizer and probably the shape that I use the most when all is said and done.\u00a0 While a high pass filter goes on almost every channel I&#8217;m mixing that doesn&#8217;t require low end signals, after that it&#8217;s all bell shapes all the time.\u00a0 That&#8217;s where the real surgical work gets done.\u00a0 Boosting the low end to emphasize a kick drum or the air frequencies of the human voice? Cutting out all that mud we have been talking about or scooping out some mid range interference to make room for something else?\u00a0 All of it bell shapes.<\/p>\n<p>The level of versatility available in a bell shape &#8211; once you start messing around with Gain and Q &#8211; is so vital to everything we do here.\u00a0 Gain and Q are coming up in a second, but fore now take a goose at the example video below.<\/p>\n<div class=\"video-shortcode\"><iframe title=\"Equalizer Example 08 - Bell Shape\" width=\"1652\" height=\"929\" src=\"https:\/\/www.youtube.com\/embed\/YcD-u3Cgx24?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<h2>Gain and Q<\/h2>\n<p>As much as I&#8217;d love for the rest of this blog post to be about weight lifting and Star Trek: The Next Generation, we&#8217;re going in a different direction.<\/p>\n<p>In this context, Gain is all about amplitude.\u00a0 Volume at specific frequencies in this case.\u00a0 When you are interested in boosting the effect of just one bit of the range, you add amplitude &#8211; in the positive &#8211; to it and the shape will rise and lo and behold, you have increased the impact of those frequencies.\u00a0 The same thing applies to cutting.\u00a0 You go into the <em>negative<\/em> and remove that influence.\u00a0 Visually using the bell shape as an example, it would look like you&#8217;re pushing up or pulling down.<\/p>\n<p>After that is where Q comes in.\u00a0 Q is short for Quality in this case.\u00a0 Within the context of an equalizer bell shape again, when you modify the Q of the shape it&#8217;s going to either grow broader and wider, or pinch in and go very narrow.\u00a0 The Q will define just how MUCH of the frequency range you&#8217;re going to tweak out.\u00a0 So say your room has a really obnoxious resonant frequency at around 247hz.\u00a0 Everything else sounds great but because of the way the room is designed you still have a weird and obnoxious buildup of 247hz in everything you do.\u00a0 You can add a bell shape, go into the negative of gain and pull it down, and then narrow down the Q until it&#8217;s pretty much just reducing the impact of that one frequency right there.\u00a0 Problem solved!<\/p>\n<p>Ideally, you&#8217;d fix the room.\u00a0 In the absence of being able to fix the room, you get to &#8220;fix it in post&#8221; as the saying goes.<\/p>\n<p>Once again!\u00a0 Another video demonstrating visually and audibly what on earth it is that I am trying to write about in text.\u00a0 The last one for this entry!<\/p>\n<div class=\"video-shortcode\"><iframe title=\"Equalizer Example 09 - Gain and Q\" width=\"1652\" height=\"929\" src=\"https:\/\/www.youtube.com\/embed\/7Qolhj9PtCo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<h2>That&#8217;s it for this one!<\/h2>\n<p>That concludes this section of the audio engineering obsession that I like to call The Equalizer.\u00a0 At some point, I&#8217;d like to do one more follow-up where I take examples of something that either sounds off or sounds great and I want to enhance and make a video demonstrating the differences.\u00a0 It&#8217;s a fun exercise to watch and listen to how some very subtle changes can completely remap the framework of a sound. Demonstrating with extreme curves and amplitudes, setting at very subtle, and then comparing what they sound like both on and off.\u00a0 It&#8217;s eye-opening!\u00a0 Mind blowing!\u00a0 Finger snapping!\u00a0 Insert different metaphor here!<\/p>\n<p>So either <em>that<\/em> is going to be next or I&#8217;m going to instead dive into Compressors.\u00a0 Can&#8217;t decide which.\u00a0 It&#8217;ll be a surprise!<\/p>\n<p>For both of us!<\/p>\n<p>Hope you&#8217;ll come back next time!<\/p>\n<p>-= george =-<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8211; Or: Frequency manipulation CAN BE FUN with more tools [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":459,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[80],"tags":[10,19,120,119,12,106,121,124,118,40,122,123],"class_list":["post-456","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audio-engineering","tag-audio","tag-audio-engineering","tag-bell","tag-curves","tag-engineering","tag-equalizer","tag-filters","tag-gain","tag-mastering","tag-mixing","tag-notch","tag-q"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Equalizer - Part 2 - George Nowik - Voice Actor<\/title>\n<meta name=\"description\" content=\"We return to the mighty Equalizer for some fun, excitement, videos, examples, and more &quot;getting your learn on.&quot; 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